I simply couldn’t finish it. I mean, I tried. I looked at all the reviews and ratings here and decided to take up this book. Terrible mistake. I initially blamed my inability to finish this book on my reading slump. But that’s not it. I realised later that reading this book had become more of a chore for me. Getting into Eleanor’s head never gave me any joy. It was just very sad and boring.
Eleanor Oliphant was a very hard character to relate with. At least, in my case. And reading the whole thing from her p.o.v was very frustrating. Her cynical, judgmental take on everything, her constant need to criticise people and point out how smart or better she is - it was just not my cup of tea. And I couldn’t find any redeeming qualities in her.
I’ve heard that it’s very much like “A man called Ove” which I don’t think is true. Ove might be grumpy, but he had so many redeeming qualities. I really liked him as a character. He might be rough around the edges but it was very obvious that he was a really loving man. Even from the initial chapters. So I wanted to stick around and wanted to know more about him. He’d sputter about, and hold petty grudges but he’s actually a cinnamon roll deep inside.
I can’t say that about Eleanor. Her obsession with this musician, who’s apparently the love of her life, her constant criticism of people in her mind and how she’s totally above all this- it was too much for me. And I didn’t feel like sticking around anymore. Maybe things will change. I’m sure there’s a reason why she’s the way she is. Maybe she’ll redeem herself later in the book. But I don’t want to go back inside her head. Again, it doesn’t give me any joy like I said. It’s just too normal and boring and mundane.
I know people are going to come at me for saying this. But hey, this is just my opinion. And you’re entitled to yours.
jefrye t1_j99vls4 wrote
I liked it, but I like reading about deeply flawed characters. Eleanor isn't an easy character, but she felt three-dimensional and was easy to empathize with.
I also appreciated that the author gave her real personality issues (and fairly unusual ones at that) instead of making her mostly perfect with a token "flaw" that isn't actually that important in the name of believability, which seems to be the approach that many contemporary authors take.