gridsandorchids
gridsandorchids t1_j1xh0di wrote
Reply to comment by dmazzoni in ELI5: How is that Pantone colors don't have direct RGB counterparts? by ExternalUserError
Print shops also typically have color definitions that apply to specific processes that you should follow for a job.
For example, dark blacks in print. In CMYK, where K is basically black, going 0/0/0/100 is not a very dark black. It needs other colors mixed in. But if you do too much, you can wind up with a black that's too richly mixed and won't dry properly, and wind up smearing and ruining your prints.
A print shop will typically have a specific CMYK mix you should use for the richest black without fucking things up, that looks something like 30/30/20/100. They will also often use something like 0/0/0/100 to define what is essentially an alpha layer for some other process layer like gloss or glitter or embossing. You provide a layer of the design where black is what gets embossed and white is what doesn't, for example.
gridsandorchids t1_j5z56m5 wrote
Reply to comment by stickmanDave in Why do sample return missions such as OSIRIS-REx use their own reentry vehicles instead of just going to the space station for pickup and return with ISS equipment? by PromptCritical725
He's talking about something going wrong in the final approach to dock, which also shows how complicated the whole concept is. Once you get to a matching orbit, and close enough on a stellar scale, it's still highly delicate and specialized to actually safely recover it.
MIR had a Progress craft smash into it and almost kill the station and inhabitants and it was just docked and then pushed out a bit and brought back in.