Submitted by YourOwnBiggestFan t3_z66b4m in movies
You've probably heard of the phenomenon of the car that becomes famous through its cinema appearance - Herbie from The Love Bug, the Aston Martin DB5 from Goldfinger, the Pontiac Firebird Trans Am from Smokey and the Bandit... Sometimes even the manufacturers catch wind of such notability and capitalize on it through products like the Ford Mustang Bullitt. But when does a car become as notable as the stars in it - or even more?
I'd say that there are three key rules:
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The car needs to be tied to the protagonist(s) - it has to be the one that they drive during every extended driving sequence, and it needs to match their personality. For example, every time Dude Lebowski gets into a car, it's his trusty Ford Gran Torino that's as haggard as he is. Also, this is why Baby Driver failed to launch any automotive stars - when Baby hops from everything from a Saturn Aura to a Dodge Challenger Hellcat, it's hard to determine that single important one that really matches him.
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The car needs to be there during the really important parts - for example, the DeLorean in Back to the Future is always on the screen when time travel is involved, and the Minis in The Italian Job are the getaway cars during the escape from the heist.
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The car should get as much screen time as the script allows - while being on screen from the start to the very end is not an imperative, such a role certainly helped machines like Kowalski's Challenger, Bandit's Firebird Trans Am or the Bluesmobile join the four-wheeled pantheon.
And it also helps when the car is special in some way. Sure, a stock-looking machine has the possibility of earning its fame (The Italian Job, Bullitt, The Graduate), but the miraculous nature of Herbie, the gadgetry of Bond cars, or even the crappiness of Vacation's Family Truckster has helped a lot.
nariusone t1_ixzlmf3 wrote
when it hits 88 miles per hour.