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MonicaPVD t1_j5cjcn5 wrote

"If you run into a jerk in the morning, you run into a jerk. If you run into jerks all day, you're the jerk."

The guy from Bintimani has been running into jerks for years.

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Loveroffinerthings OP t1_j5cm2kk wrote

Lol, they do seem to be running a grift, always asking for money to open a business, then coming up with reasons why it won’t work. No shade, but it seems odd with so many closed spaces, they could find something.

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Dances_With_Cheese t1_j5drjqi wrote

I saw this morning’s rant and thought the exact same thing. Then I thought “didn’t I unfollow these characters?”

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lovecraft_401 t1_j5djuf3 wrote

AS220 is far from the community arts organization it started as. Now it’s worth about $20 million because owns a bunch of buildings downtown tax free and is mostly acts as a full time corporate landlord.

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FoleyisGood t1_j5eicwr wrote

glad i'm not the only one that noticed the change in AS220.

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zebrawithflowers t1_j5hipaq wrote

Funny, AS220 offers spaces below market rate to artists.

For an example, see https://as220.org/live-work-vacancy-at-empire-street-2/

Other landlords aren't interested in the cultural life of the city. But AS220 bought and rehabbed a bunch of buildings long before anyone else was interested.

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lovecraft_401 t1_j5hju20 wrote

I was referring more to them being a commercial landlord, renting to a bunch of restaurants and other businesses downtown.

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Flashbulb_RI t1_j5ho07g wrote

When AS220 bought their buildings they made sure not to price out / dislocate the small businesses on street level. Notice the small barbershop on Empire street that has been there forever and Clark the Locksmith on Washington street. They also rent live/work spaces to qualified artists WAY below market rents adding greatly to economic diversity of who lives downtown. In addition ANY artists who asks for a spot on the waiting list can have a show at their gallery, artists who probably would not have a chance of showing at a for profit / commercial gallery. They have to fund this somehow, and some of that comes from the fancy restaurants they rent to on street level at what I guess are market rates.

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Proof-Variation7005 t1_j5kr0ds wrote

>When AS220 bought their buildings they made sure not to price out / dislocate the small businesses on street level.

Unless it's the Satin Doll.

Below market rents is great. But if we're going to shit on Brown for not paying close to full freight on property taxes, I don't see why AS220 should get a pass for it.

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Flashbulb_RI t1_j5l230d wrote

I believe the Satin Doll went out of business long before AS220 bought that building.

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Proof-Variation7005 t1_j5l4eo9 wrote

It was open until the building was sold. FWIW, I think the owner of the club partially owned the building when he sold in 2015. I don't know why they gave up on the plan for that space but I think they ended up flipping the building to Durk's within a few years.

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Flashbulb_RI t1_j5lwj1x wrote

So, the owner of the club sold his own building or fraction of, got his $$ and you're blaming AS220 for his dislocation? OK.

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Proof-Variation7005 t1_j5lxcsp wrote

I was pointing out that they haven't kept every business open. Can't help but notice you skipped right past my point about the property taxes though

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Flashbulb_RI t1_j5lz2fc wrote

My understanding (I'm not a tax expert) is that when a non profit owns a building (Brown or AS220) and rents out that building (or a portion of) to a for profit business such as a restaurant, that property is taxed at the normal commercial rate.

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lovecraft_401 t1_j5kzdos wrote

I’m not saying AS220 doesn’t still do good work - they certainly do. They’re just not as grass roots and altruistic as the once were.

If you watch the video the guy from Bintimani posted, he’s main issue is that AS220 treated them like a business. He says AS220 has a responsibility to help marginalized communities, and then deciding not to host Bintimani pop-ups anymore is a direct act of aggression against a oppressed communities by the “non-profit industrial complex”

I’m really just pointing out how much AS220 has changed and that people shouldn’t expect the same level of altruism they once had.

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Loveroffinerthings OP t1_j5gabo2 wrote

There are lots of nonprofits that do this, it’s a good hedge against lean times. If they stopped being a space for art, and marginalized communities, I could see the “change”, but I haven’t seen anything like that.

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gradontripp t1_j5febj4 wrote

I lived in the same Boston neighborhood as the first Bintimani. Then saw they moved to a different neighborhood with a more diverse population, which made sense. Then Boston prices skyrocketed and they, like we, decide to pack up and move to Providence.

Since then, I can’t believe they haven’t had a single chance to open a physical location. I can’t see how, if it’s a grift, it’s working, but man I can’t see them opening anything ever.

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Loveroffinerthings OP t1_j5g9wwk wrote

The grift is always asking for money, community fundraising, putting out there that they’ve raised tens of thousands of dollars for a new place, but a new place never comes. I’ve seen like 10 new places open in PVD/Cranston that are small low key places, not sure who would be requiring tens of thousands down to open a space. I have no allegiance with AS220 and only know them as a supportive community space for BIPOC and LBGQT community members, not sure what they would do to a restaurant moving into their space for the owner of Bintimani to be so hateful towards them.

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_holyspokes t1_j5q8cer wrote

recommend revisiting that original post on IG to hear what the youth of AS220 have to say.

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Loveroffinerthings OP t1_j5qwwjl wrote

On which page? On Bitimani or AS220 page?

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Diligent-Pizza8128 t1_j5r7cqp wrote

I think it's the comments on this IG post. Seems like a lot of AS220 peeps have weighed in: https://www.instagram.com/p/Cnrjbm2BY5R/

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Loveroffinerthings OP t1_j5rb128 wrote

Ohhhh it got spicy! Like I’ve said, this dude from Bitimani seems like a grifter. He doesn’t get his way and then blames someone else. The one person saying they took forever to serve food, and didn’t clean up seems to be the reason they didn’t want to collab anymore. Happy that the youth have come to bat for AS220.

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